AESCHYLUS’ PANDORA — HELEN IN THE AGAMEMNON

Metatheatre in Aeschylus’ Oresteia

Lionel Abel coined the word ‘metatheatre’ in his 1963 book, Metatheatre: A New View of Dramatic Form, claiming he had discovered a new type of theatre, and cited Shakespeare’s Hamlet as the first metatheatrical play. Over the intervening decades, various scholars have pushed the incidence of the earliest metatheatrical play back beyond Hamlet. Richard Hornby, in his 1986 book, Drama, Metadrama,...

Sophrosyne in Aeschylus

Helen.

The Pandora Effect

Curiosity—the desire for information—underlies many human activities, from reading celebrity gossip to developing nuclear science. Curiosity is well recognized as a human blessing. Is it also a human curse? Tales about such things as Pandora’s box suggest that it is, but scientific evidence is lacking. In four controlled experiments, we demonstrated that curiosity could lead humans to expose th...

Legal Action: The Trial As Theater in Aeschylus' Oresteia

Aeschylus' Oresteia is a key text for analyzing the relationship between law and drama both because it includes the earliest surviving instance of a trial scene in western drama and because it is explicitly concerned with the nature of trials, telling a story of repeated conflict that can only be resolved by the invention of the trial as a new form of action. First produced in Athens in 458 B.C...